Mike Watt Introduction
FlyGuitars Tell me about your approach to bass playing and music in general?
Mike Watt a lot of it comes from playing with D. Boon. When we were boys (I'm 49), we were used to arena rock in the 70's, and we were too far away to see the tuners. You could see in pictures they had four tuners. We knew they had four strings, but we did not know they were bigger, so I played a guitar with four strings, 'til I saw a real bass when I was 16. I started when I was 13. I really could not hear the bass on records except for Jack Bruce, John Entwistle, Jamerson, R&B and Larry Graham - could hear the bass on that, just the way songs were written for the bass. You could hear Entwistle on the bass (laughs) and that Wheels Of Fire, that Cream, where they played Crossroads. In fact I saw pictures of Jack Bruce, I saw him playing with a Gibson EB-3. So at 16 I got a real bass. I did not know a Gibson/Fender. A lot of stuff was sold in record stores and it was hard to find Gibson & Fenders, there were no Guitar Centers back then. You had to go to Hollywood.
Punk came and that was a real mind blow for us. The club scene came back. You could stand right up there and see the bass and feel the bass. In those days the PA was used for singers, so they would have 8 SVTs with drummers, with no monitors. Punk comes and we find we should be writing songs.
Minutemen

FlyGuitars Your first recorded band, Minutemen created their own type of music...
Mike Watt Hearing Punk Records from England like Wire, where they would have no song structure, making what they want. Music is what ever you want it to be. It was trippy too because there was a lot of women in those bands. Which the only female bass player I ever saw back then was Suzie Quatro.
With punk in the early 70's, everyone was on a level playing field, everyone was lame. The guitar was just textures with the bass driving it along. The bass was very prominent in those bands. With Minutemen we were putting our thoughts on how the band was going to be structured. He (D. Boon) would not play barre cords and played trebly. He would give me a lot of room, a three-way tie, kind of.
Building a whole from the parts, like a conversation, not just a support. Boon said we are going to have a conversation. Kinda like osmosis. We would not have to worry about trying to show each other up. Like John Coltrane, he kept practicing, so what I try to do is put myself in challenging situations.
Thanks to John (Redbird) Fertig and Mike Watt for making this interview possible, and to Peter Whitfield for use of some great Photos
Why not check out some of these other sites
Mike Watt's homepage
Iggy Pop / Stooges homepage
Kelly Clarkson homepage
Gibson bass guitars for sale
Mike Watt??s 1969 Gibson Les Paul Bass
Cross Junction, Virginia, 226**, UNITED STATES OF AMERICA
$6000
(bought from dirk vandenberg of guitar surfari. mike watts bass tech in San Pedro... more
1969 Gibson EB3 Bass Guitar- 100% Original with Original Case
Glastonbury, Connecticut, 060**, UNITED STATES OF AMERICA
$3700
1972 Gibson EB-3 Mahogany Maple neck Bass Guitar first year 1972 has Gibson logo
Kokomo, Indiana, 469**, UNITED STATES OF AMERICA
$2500
Gibson EB-3 Mahogany 1970-75 Electric Bass Guitar Orig. Case Slotted Head 961211
El Segundo, California, 902**, UNITED STATES OF AMERICA
$2500
Available for your consideration is this stunning Gibson EB-3 bass guitar. It has a scale length of 31 inches, and a serial number of 961211.
To the best of our knowledge, this is most likely a 72 to 75 production of the EB-3 in mahogany
It is missing the original pickup cover.
You can read more about EB-3 production differences and models on FlyGuitars website.
This Beautiful and stunning EB-3 Gibson Bass guitar is in the original case and ... more
1978 Gibson EB-3 Bass - Walnut With Original Case
Merrimac, Massachusetts, 018**, UNITED STATES OF AMERICA
$2200
The EB-3 features an SG shaped mahogany body, a 3 piece maple neck with volute, rosewood fingerboard, short 30 5" scale, and two pickups which include a large humbucker in the... more
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Horncastle, LN9***, UNITED KINGDOM
£3010
1962 Gibson EB-3 4 String Bass Guitar All Original With Gibson Case
Swindon, SN5***, UNITED KINGDOM
£4687
All original pick ups switch gear etc. A fantastic piece of guitar history and a great addition for any serious collector or just somebody who loves that classic sound.
Comes with vintage Gibson hard case although I do not think it is the original.
Age related marks but nothing serious considering it is 62 years old!... more
GIBSON Mudbucker Pickup COVER ONLY (EB0-EB3 Bass models)
Perugia, 06***, ITALY
€50
Mudbucker Pickup Chrome Cover for EB0 / EB2 / EB3 Bass
(COVER ONLY - NO PICKUP)
In vendita la cover (solo il coperchio in metallo cromato, NON l'intero pickup) di un pickup al manico del basso Gibson EB0 / EB2 / EB3 ed altri modelli.
Si tratta di un pezzo originale, proveniente dal mio EB3 e identico a quelli usati per un lungo periodo negli anni precedenti e seguenti ed esteticamente compatibile anche con i pickup montati sui bassi Epiphone e sugli attuali Gibson SG (ma ... more
1975 Gibson EB3 Bass guitar
Bath, BA2***, UNITED KINGDOM
£1129
Some wear and dings but is all character rather than damage
Electrics: working;
Hardware is good
Case: Epiphone hard case;
Weight: 4 25kg
I??m selling at a loss now but everything must go!!!... more
1965 Gibson EB-3 Bass Guitar
Farnham, GU10***, UNITED KINGDOM
£3062
The EB-3, widely known as the classic Cream bass, was used and made most famous by Jack Bruce from blues-rock pioneers 'Cream' around 1967 onwards. He had a few of them over that time period, but his main and most photographed instrument was a matching '65. The spacing between the control knobs was changed in 1965 to match the guitar line, so only a percentage... more
Epiphone Gibson SG EB3 Bass 2 pickup - Cherry
Northcote, Victoria, 3***, AUSTRALIA
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