Gov't Mules' Andy Hess

Part1: Introduction | Part2: Gov't Mule | Part3: Bass guitars

The main studio basses played by Andy Hess: shortscale Gibson EB0, Fender Telecaster bass, Precision, Hofner Violin bass, another Precision, and finally a longscale EB, the Gibson EB0L Image courtesy of mule.net

GibsonBass Why did you choose to work with Geordie Johnson?

Andy Hess Warren had already been friends with Geordie and was a big fan of his and respected him tremendously. He knew that Geordie was in to producing and so he called him and Geordie was very excited to be part of it. We went down to Austen, Texas and recorded down there in a studio that Geordie works in a lot cause that's where he lives with his family. It was really a great experience working with him, it was very challenging and he brought in some great basses, I played a Gibson EB-OL on some of the session.

GibsonBass I've always identified you as using Fender basses?

Andy Hess I'm mostly a Fender guy I'll be honest with you but Geordie bought in a nice Hofner Beatle bass that I played on a couple of tracks and I played Geordie's EB-O as well as the EB-OL that I had bought down in Austen in a guitar shop. I mixed it up on this record and I do also have a Thunderbird at home but I haven't really been using it except on Deja Voodoo on a couple of tracks; Bad Man Walking and on Mister Man.

GibsonBass What did you like about the different basses having been used to using your Fenders?

Andy Hess It was just a different tone, Gibson make great basses too. It just happened to be that I was always a Fender person and I fell in love with the Precision but it was also great to use a Hofner on a couple of songs. They all sound different they all bring a different tone.

GibsonBass I think that adds to the album having the different tones on each track. When you were using the EB-O and the EB-OL how did you record the bass track in the studio?

Andy Hess It was definitely a weird concoction that Geordie came up with. He'd mic the cabs and then we also went direct through this weird effect and he definitely mixed it up a little bit. We also used various Fender amps including guitar amps, it wasn't the standard set up. There's a couple of tunes where later we went back to New Jersey and I had to do a couple of extra tracks and I went through an Ampeg B15 which is what I usually do. On the road I use the Ampeg SVT with the 8x10 cabinet. I'm an endorser of Ampeg and I love their amps, they're great, they just work for me.

GibsonBass I think they work for a lot of people, they are well made amps and you get a great sound through them as well. From memory seeing you play in London, you tend to favour playing with your fingers rather than a pick?

Andy Hess Yes definitely I suppose it's just cause I'm used to it and that's how I learned. It just feels good to me and I have control over the stuff I play that way. On occasion I might play with a pick but pretty rarely. Sometimes I'll play with my thumb and I'll mute the strings near the bridge with my palm to get like a dubby thing going but mostly it's my two fingers, the standard. I love the warmth, I'm more into a warm round bubbly sound as opposed to clanky

GibsonBass Warren's credited for writing the songs on High & Mighty but how do the band approach putting the songs together?

Andy Hess I didn't know any of the songs until I got to Texas. We kind of learned them, we rehearsed a couple of days and became familiar with them and we all worked together on the grooves and the arrangement, and how the song's supposed to feel. Warren presented us the songs, It's not like we knew them all that well before we went in to the studio which is good too. In a lot of ways you kind of get first impressions and often first impressions are very valuable. Although there's something to be said too for really knowing the music but that's just how we did it.

"Mule guitar tech Brain Farmer with the Hofner H500/1 Beatle Bass" Image courtesy of mule.net

GibsonBass Brian (Farmer, left), the bands guitar tech seems to be a busy man and he's always there for you guys. Bearing in mind his workload, do you tend to use just the Fender basses on tour or are you taking out other basses?

Andy Hess He's the greatest in the world. He takes care of my basses and he sets them up beautifully for me and he's a good man to have on the team. I use the Fender and I've been using the Gibson EB-OL that I brought in Texas a lot but mostly I have to say I play my Fender P basses. I do have a Fender Telecaster bass in the arsenal.

Andy with his early seventies Fender Telecaster bass Image courtesy of mule.net

GibsonBass People tend to sit on one side of the fence or the other they'll be a Fender player or a Gibson player so it's interesting to speak to somebody who likes Fenders but who also likes picking up Gibsons.

Andy Hess I love my Fenders, I'm never going to not play my Fender basses. I think the Fender Precision bass is one of the greatest basses, that's just a classic. That's what I'm used to and I love them but I've definitely got to really love my EB-O too. It works for certain songs perfectly.

Other cool links:
Warren Haynes on Allen Woody | Other GibsonBass interviews
Andy Hess website | Gov't Mule website