1976 Gibson Ripper - more images and sound clips of this middle-period alder bodied bass

1977 L-9SF Fretless Ripper	1978 L-9S Ripper

Gibson Ripper L9-S Bass

Solid alder or maple body, maple neck. 34 1/2 inch scale.

For extra sustain the Ripper should be strung-through the body, with extra long strings D'Addario EXP170SL Coated Soft Super Long Scale Bass Strings (D'addario Coated Nickelplated Steel Super Long Scale) D'Addario EXL170SL XL Soft Super Long Bass Strings (D'Addario Bass Strings Nickel Wound Super Long Scale - Soft) D'Addario ECB80SL Chrome FW Super Soft/Long Bass Strings (D'addario Chromes Stainless Steel Flatwound Super Long Scale - Super Soft) D'Addario EXL220SL XL Bass Super/Soft Super/Long String Set (D'Addario Bass Strings Nickel Wound Super Long Scale - Super Soft) D'Addario EXL160SL XL Medium Super Long Bass String Set (D'Addario Bass Strings Nickel Wound Super Long Scale - Regular) D'Addario ECB81SL Chromes FW Soft Super-Long Bass Strings (D'addario Chromes Stainless Steel Flatwound Super Long Scale - Soft) Thomastik-Infeld JF364 Jazz Flatwound Long Scale 4-String Bass (Thomastik-Infeld JF364 Jazz Flatwound Long Scale 4-String Bass) D'Addario EXL165SL XL Soft/Regular Super/Long Electric Bass String Set (D'Addario Bass Strings Nickel Wound Super Long Scale - Regular)

The Gibson Ripper was launched in 1973, as something new for the guitar buying public, who had began to tire of the EB basses that had dominated the 1960s. As one of their mid seventies adverts proclaimed, they haven't been hanging about for fifteen or twenty years. Mahogany was out - the earliest Ripper bodies were manufactured from maple, though in 1975 to 1976 alder was used before going back to maple in 1977. It was designed by Bill Lawrence who was working for Gibson at the time.

Economic pressures in the 1970s meant the L-9S had to be affordable. A good quality bass, certainly, but no expensive inlays or finishes, and controls and pickups mounted on the scratchplate (reducing production time and costs, compared to mounting in the wood).

It was still a big bass, compared to Gibson's previous models. Long scale (there was no short-scale equivalent), with a big rounded body. All maple ones can be quite heavy.

It was available as a standard fretted instrument (left) and from 1975 as a fretless, though only 898 fretless ripper were shipped between 1976 and 1979.

The exact Ripper specifications can be seen in the 1975 Gibson bass and 1978 Gibson catalogues.

The Gibson Ripper shipping figures are taken from Larry Meiners book Gibson Shipment Totals.

	1973	1974	1975	1976	1977	1978	1979	total
Ripper Fretless L9-FS				95	107	76	74	352
Ripper Fretless L9-FS Tobacco Sunburst			108	255	57	79	47	546
Ripper L9-S Ebony	19	426	118	734	442	466	198	2403
Ripper L9-S Natural Maple Gloss	20	3075			715	351	187	4348
Ripper L9-S Natural Satin			1057	1185
Ripper L9-S Tobacco Sunburst			5	22	52	19	28	126

The specifications listed below are taken from the 1975 Gibson bass catalogue

1975 Ripper L9-S BODY SPECIFICATION Solid alder body with contored shape (maple 1973-74, and 1977 onwards) Double cutaway design contored shape 3-point adjustable Tune-o-matic bridge with handrest Combination tailpiece (strings enter through body or connect at end of bridge) Two Gibson "Super humbucking" pickups Master volume, midrange and treble roll-off controls 4-position transfer switch for multiple tonal changes Available in Natural or Ebony body finish Body size: Length 21 1/2", width 14 1/2", depth 1 1/4" NECK SPECIFICATION Laminated maple construction Width at fingerboard nut 1 5/8" Choice of Natural Maple or Ebony fingerboard with dot inlays Chrome-plated individual machine heads Gibson truss rod with moulded truss rod cover 20 frets 34 1/2" scale length

1975 Ripper Fretless BODY SPECIFICATION Solid alder body with contored shape (maple 1973-74, and 1977 onwards) Double cutaway design contored shape 3-point adjustable Tune-o-matic bridge with handrest Combination tailpiece (strings enter through body or connect at end of bridge) Two Gibson "Super humbucking" pickups Master volume, midrange and treble roll-off controls 4-position transfer switch for multiple tonal changes Available in Sunburst finish (also ebony and natural by 1977) Body size: Length 21 1/2", width 14 1/2, depth 1 1/4" NECK SPECIFICATION Laminated maple construction Width at fingerboard nut 1 5/8" Fretless Ebony fingerboard (also maple by 1978) Chrome-plated individual machine heads Gibson truss rod with moulded truss rod cover 34 1/2" scale length